[For those who are keeping score, I did miss last Monday–it was Labor Day (one of our holidays here in the  USA) so I took a breather. Now we’re back with the latest hymn-sing post.]

Words by George W. Frazier (1830-1896) [stanza 3, Alfred S. Loizeaux (1877-1962)]

(Also included in Baptist Hymnal – 1975 ed. #3; 1991 ed. #248; 2008 ed. #337; The Celebration Hymnal, Word/Integrity, Waco, 1997 – #93; The Hymnal for Worship and Celebration, Word, Waco, 1986 – #268)

This old hymn has been included in numerous volumes of hymnals. As you can see from the list of my personal collection (I don’t think Heber’s hymn was excluded from any hymnal I own), this is a favorite song of praise. It remains a favorite for many Christians today.

The Hymn

  1. God, our Father, we adore Thee!
    We, Thy children, bless Thy name!
    Chosen in the Christ before Thee,
    We are “holy without blame.”
    We adore Thee! we adore Thee!
    Abba’s praises we proclaim!
    We adore Thee! we adore Thee!
    Abba’s praises we proclaim!
  2. Son Eternal, we adore Thee!
    Lamb upon the throne on high!
    Lamb of God, we bow before Thee,
    Thou hast bro’t Thy people nigh!
    We adore Thee! we adore Thee!
    Son of God, who came to die!
    We adore Thee! we adore Thee!
    Son of God who came to die!
  3. Holy Spirit, we adore Thee!
    Paraclete and heavenly guest!
    Sent from God and from the Savior,
    Thou hast led us into rest.
    We adore Thee! we adore Thee!
    By Thy grace forever blest;
    We adore Thee! we adore Thee!
    By Thy grace forever blest!
  4. Father, Son, and Holy Spirit,
    Three in One! we give Thee praise!
    For the riches we inherit,
    Heart and voice to Thee we raise!
    We adore Thee! we adore Thee!
    Thee we bless thro’ endless days!
    We adore Thee! we adore Thee!
    Thee we bless through endless days!

Scriptural Connection

To find a Scriptural connection, hymnal editors over the years have focused either on the worship/adoration theme of the music or on the address of the Father by His children (looking for references to children of God as their basis). In the latter case, one could turn to Romans 8:16 for the assertion that we (as Christians) are children of God.

Personally, I believe that when looking for a Scriptural connection of a hymn one is better served to look for passages that speak to the message of the song rather than the details. So I would more likely choose a worship passage such as John 4:23, where the evangelist teaches us that we are to worship in spirit and in truth.

What does it mean?

This hymn is a hymn of praise to God. Each stanza focuses on a separate person of the Trinity to be the recipient of the praise of God’s people. Taking each verse individually we see some excellent teaching about God, Salvation, and the Holy Spirit.

In stanza one, we address God the Father. We see how and why we can be known as His children—it is through Christ, and in Him that we can be seen as blameless. Frazer also takes advantage of the Father-child relationship by including the affectionate term “Abba” as a reference to God. What is so spectacular about this part of the hymn is that instead of the more formal title “Father,” Christians, because of Christ, can have that intimate relationship in which (as in the Aramaic “Abba”) we can refer to God as Papa or Daddy . . . even as we sing His praises.

Stanza two focuses on the Son. We see His attributes—He is “Eternal”—as well as His responsibilities—He came to earth to die. In so doing He is the Lamb (bringing to mind the picture of a sacrificial lamb) who was offered in sacrifice for the sins of all mankind.

Verse three was a later addition to this hymn which was originally included in a hymnal of the Plymouth Brethren who were opposed strongly to ascribing praise to the Holy Spirit. Their idea was that while He is a person of the Godhead, there is no Scriptural foundation for addressing praise to the Spirit. The author of the third verse was part of the publishing family who printed the original hymnal but he had no conviction about not praising the Spirit. So when another hymn editor asked about a verse addressed to the Spirit, Loizeaux, wrote several options one of which was chosen to include in the new hymnal. Loizeaux also suggested that he felt that adding in this verse made the thought more complete—after all it was also a hymn confirming the Trinity. One difficult word in this verse is the archaic word “Paraclete” which is a transliteration of a Greek term for the Holy Spirit—the Comforter which will be sent after Jesus’ death and subsequent resurrection. He is the person of the Trinity who lives (or dwells) within the heart of the believer as an honored guest and guide.

The last stanza brings everything together, and I must agree with Loizeaux that without the third verse addressing the Holy Spirit, this final stanza would seem a little out of place. Instead we have a full and complete thought. Like the Godhead is complete in the Trinity, our praise is complete only as we praise Father, Son, and Holy Spirit in His entirety for an eternity.

For those who would like to sing along, the tune normally used for this hymn is BEECHER by John Zundel (1815-1882) which is you might remember from singing “Love Divine, All Loves Excelling.”

*Hymn numbers for this series’ titles are from the Baptist Hymnal, 1956 edition, Nashville, Convention Press.